Channel outputs A high-quality rotary potentiometer feeds the main mix via a constant-power channel pan potentiometer. Stereo line inputs There are two line-level stereo aux returns at the top of the output section. They can be used to return stereo effects or MIDI instruments etc.
In addition, a stereo tape input is provided, which may be routed to the main mix or the control room mix, giving the MXA a total of 14 possible inputs during mixing.
Any amplifier circuit is limited in its transient response by the available current. Stereo line inputs There are two line-level stereo aux returns at the top of the output section. Page 7: Warranty This level sampling is particularly useful when using extreme EQ settings. This can be done when typical signals are run through the MXA and the aux sends are set to center 0 dB.
If your effects unit does not have an input gain and the effects levels seems too low, remember that every channel aux send has up to 15 dB gain, which should be more than enough to drive any effects unit.
Page 9: Stereo Aux Returns 4. Their level can be adjusted with. Aux returns 1 is permanently assigned to the main mix. If you connect a jack only to the left socket, the aux return 1 operates in mono.
Page Setting Up Experience tells us that the cables in a studio environment get tangled very quickly inviting mistakes. A patchfield will facilitate patching and repatching considerably.
Attempt only if you are experienced in using an iron on PCBs. Before you begin Input level setting Aux sends Fading and panning Stereo aux returns Desk normalization Selecting inputs Initializing channels for gain setting Auditioning a signal and setting up a channel Recording levels Block diagram It is a musical instrument.
Learn to play it well. Keep them turned over, lying to the left of the text pages, while studying the manual. All functions are numbered consistently throughout the manual, whether in the text or on an illustration. Channels 1 - 4 are mono, with a choice of balanced mic or l ine inputs. A further 4 line inputs are configured as 2 stereo input channels. These are ideal for accepting outputs from MIDI and other electronic instruments. A high-quality rotary potentiometer feeds the main mix via a constant-power channel pan potentiometer.
There are two line-level stereo aux returns at the top of the output section. They can be used to return stereo effects or MIDI instruments etc. In addition, a stereo tape input is provided, which may be routed to the main mix or the control room mix, giving the MXA a total of 14 possible inputs during mixing. This is because, unlike with analog, the onset of digital distor-. If you really want to take your recording level to the limit and fully exploit How to do it?
Well, you could. Probably a better way to work out just how hard you can drive your recorder. Peak meters read more-or-less independent of frequency.
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